dramatic ones directed by men. Three types of performances (zaiko, kpalam, jengi) are described in detail. An analysis is made on Baka participatory behavior and the social relationships embodied in these performances.
As perceptions are almost always influenced by the observer's own cultural bias, values, belief systems and purposes, information presented herein should be considered critically. Selections are based on their topical focus on peoples and cultures to highlight not only the wide diversity of indigenous peoples, but also the wide diversity of cultural observers and commentators.